Samuel Dunscombe is a composer-performer specialising in the use of clarinets, computers, and microphones. From free improvisation to field recording and the performance of contemporary classical repertoire, Samuel is involved in a diverse range of activities. Some highlights include:
Performances at the Bendigo International Festival of Exploratory Music (Australia), Tokyo Experimental Festival (Japan), Tectonics (Tel Aviv), World Music Days (Slovenia), Kontraklang (Berlin), Supersense (Australia), Monday Evening Concerts LA (USA), Athens Slingshot Festival (USA), Toronto Electro-Acoustic Symposium (Canada), STEIM (Holland), Cave12 (Switzerland), Adelaide / Melborne / Sydney International Arts Festivals (Australia).
Free improv collaborations with Seijiro Murayama, Toshimaru Nakamura, Ishikawa Ko, Richard Barrett, Tim Olive, Tetuzi Akiyama, Yoshimoto Yumiko, Mitsui Yoshiko, Murmur Collective, Kyle Motl and Tatsuya Nakatani, Jessica Aszodi.
Premier performances of works by Anthony Pateras, Chikako Morishita, Rebecca Saunders, Wojtek Blecharz, David Chisholm, Jacob Ullman, Cat Hope, Iancu Dumitrescu, Ana Maria Avram, Elise Roy, Hunjoo Jung, Rohan Drape, Maya Dunietz, Carolyn Chen.
Special performance projects based around works by Pierluigi Billone (1+1=1), Horatiu Radulescu (Capricorn’s Nostalgic Crickets).
Ongoing collaborative projects with Klaus Lang, Dennis Cooper, Benedetta De Alessi, Golden Fur (with James Rushford and Judith Hamann), Jessica Aszodi, Hunjoo Jung, Seijiro Murayama.
Artist talks, guest lectures, and conference presentations at Oberlin College (Ohio, USA), Musashino Art University (Tokyo, Japan), Hearing Landscapes Critically (Harvard, USA), Affective Habitus (ANU, Australia), RMIT University (Melbourne, Australia), CALIT2 IDEAS (San Diego, USA).
Samuel is an ABD (all but dissertation) candidate at UCSD (University of California, San Diego) for a Doctor of Musical Arts (DMA) in performance. He holds a Bachelor of Fine Art (Sound) from RMIT University (Melbourne), and Masters and Bachelors degrees in Music Performance from the VCA in Melbourne, Australia. In 2015, Samuel was a visiting doctoral fellow at the Hochschule der Künste in Bern, where he worked with Ernesto Molinari.